Today the prompt was not able to inspire me. (Blank of the blank where you replace the blanks) and that’s okay. Sometimes the volume title requires a little bit of inspiration to make it feel like it fits. There’s always at least one poem that I have titled the same. And sometimes there are others that fit in the same general idea as the title. I wrote the title poem yesterday and I chose to do this one today. As long as I am writing a poem a day I believe it still counts 😊.
Today the prompt was not able to inspire me. (Blank of the blank where you replace the blanks) and that’s okay. Sometimes the volume title requires a little bit of inspiration to make it feel like it fits. There’s always at least one poem that I have titled the same. And sometimes there are others that fit in the same general idea as the title. I wrote the title poem yesterday and I chose to do this one today. As long as I am writing a poem a day I believe it still counts 😊.
This is my Favorite by Sara Teasdale. It was in Up A Road Slowly by Irene Hunt. The scene was reinforced by the poem. The Cold nature of the poem…it just speaks to my soul
Today the prompt could have worked…but I didn’t feel it. Today was the obligatory form poem/anti form poem prompt. He always puts it in. And I have a volume in development for that…but this was the first poem in Ethereal Dreams… I felt like acknowledging that. Each volume is a new mindset. I have to figure out what this chapter of my life is about. Thoughtcicles was about shock and grief for the changes of self and relationship. A lot of frozen thought and self care. I don’t know what ethereal Dreams is yet.
Also we’re a week into November. This is the month for writing… and I think that a lot of people – myself included – see Nanowrimo as a pass or fail thing way too often. It should be about the setting of a routine, not about the word count. If you can hit that word count daily then awesome, congratulations! But if you can’t don’t get discouraged. Set a time for daily writing and meet that every day. Not all writing is novels. Children’s books are a thing. Those require far less word count. Poetry is still writing. Do a poem a day.(that is what I decided to do) Do not measure your own success by the way that other people write. You are going to have a different way of speaking. Writing is another way of using your voice. Don’t let anyone take your voice from you.
This one is too long to find on a graphic. I loved it so much from High school that I have always kept is as a fave,
The Stone
By WILFRID WILSON GIBSON
“And will you cut a stone for him, To set above his head? And will you cut a stone for him– A stone for him?” she said.
Three days before, a splintered rock Had struck her lover dead– Had struck him in the quarry dead, Where, careless of a warning call, He loitered, while the shot was fired– A lively stripling, brave and tall, And sure of all his heart desired . . . A flash, a shock, A rumbling fall . . . And, broken ‘neath the broken rock, A lifeless heap, with face of clay, And still as any stone he lay, With eyes that saw the end of all.
I went to break the news to her: And I could hear my own heart beat With dread of what my lips might say; But some poor fool had sped before; And, flinging wide her father’s door, Had blurted out the news to her, Had struck her lover dead for her, Had struck the girl’s heart dead in her, Had struck life, lifeless, at a word, And dropped it at her feet: Then hurried on his witless way, Scarce knowing she had heard.
And when I came, she stood alone– A woman, turned to stone: And, though no word at all she said, I knew that all was known.
Because her heart was dead, She did not sigh nor moan. His mother wept: She could not weep. Her lover slept: She could not sleep. Three days, three nights, She did not stir: Three days, three nights, Were one to her, Who never closed her eyes From sunset to sunrise, From dawn to evenfall– Her tearless, staring eyes, That, seeing naught, saw all.
The fourth night when I came from work, I found her at my door. “And will you cut a stone for him?” She said: and spoke no more: But followed me, as I went in, And sank upon a chair; And fixed her grey eyes on my face, With still, unseeing stare. And, as she waited patiently, I could not bear to feel Those still, grey eyes that followed me, Those eyes that plucked the heart from me, Those eyes that sucked the breath from me And curdled the warm blood in me, Those eyes that cut me to the bone, And cut my marrow like cold steel.
And so I rose and sought a stone; And cut it smooth and square: And, as I worked, she sat and watched, Beside me, in her chair. Night after night, by candlelight, I cut her lover’s name: Night after night, so still and white, And like a ghost she came; And sat beside me, in her chair, And watched with eyes aflame.
She eyed each stroke, And hardly stirred: she never spoke A single word: And not a sound or murmur broke The quiet, save the mallet stroke.
With still eyes ever on my hands, With eyes that seemed to burn my hands, My wincing, overwearied hands, She watched, with bloodless lips apart, And silent, indrawn breath: And every stroke my chisel cut, Death cut still deeper in her heart: The two of us were chiselling, Together, I and Death.
And when at length my job was done, And I had laid the mallet by, As if, at last, her peace were won, She breathed his name, and, with a sigh, Passed slowly through the open door: And never crossed my threshold more.
Next night I laboured late, alone, To cut her name upon the stone.