So I wanna talk about my favorite Poets…since it is National Poetry Month.
I have always been fond of Edgar Allan Poe. His work speaks to the Goth heart in me. His story 0f not making it during his lifetime also hits notes of poetic tragedy and genuine goth nature…(I know I am weird.)
Another I have always loved was Emily Dickenson. Her work is almost opposite in a lot of ways to Poe. Flowery and light. Almost as though she were making the words themselves her lover.
In my teen years I discovered Irene Hunt’s Up a Road Slowly. It introduced me to two new poets. Sara Teasdale and Edna St. Vincent Millay. I was enamored by the idea that poetry could be just randomly inserted into books. I did not realize that would not generally happen anyway.
In more recent years thanks to YouTube, I have discovered Blythe Baird and Rachel Wiley. I adore their poems.
[Verse 1] Why are you hangin’ on So tight To the rope that I’m hangin’ from Off this island? This was an escape plan (This was an escape plan) Carefully timed it So let me go And dive into the waves below [Pre-Chorus] Who tends the orchards? Who fixes up the gables? Emotional torture From the head of your high table Who fetches the water From the rocky mountain spring? And walk back down again To feel your words and their sharp sting? And I’m gettin’ fuckin’ tired
[Chorus] The capillaries in my eyes are bursting If our love died, would that be the worst thing? For somebody I thought was my saviour You sure make me do a whole lot of labour The calloused skin on my hands is crackin’ If our love ends, would that be a bad thing? And the silence haunts our bed chamber You make me do too much labour
[Post-Chorus] (You make me do too much labour)
[Verse 2] Apologies from my tongue Never yours Busy lapping from a flowing cup And stabbing with your fork I know you’re a smart man (I know you’re a smart man) And weaponise The false incompetence It’s dominance under guise
[Pre-Chorus] If we had a daughter I’d watch and could not save her The emotional torture From the head of your high table She’d do what you taught her She’d meet the same cruel fate So now I’ve gotta run So I can undo this mistake At least I’ve gotta try
[Chorus] The capillaries in my eyes are bursting If our love died, would that be the worst thing? For somebody I thought was my saviour You sure make me do a whole lot of labour The calloused skin on my hands is crackin’ If our love ends, would that be a bad thing? And the silence haunts our bed chamber You make me do too much labour
[Bridge] All day, every day: Therapist, mother, maid Nymph, then a virgin nurse, and a servant Just an appendage, live to attend him So that he never lifts a finger Twenty-four-seven baby machine So he can live out his picket fence dreams It’s not an act of love if you make her You make me do too much labour All day, every day: Therapist, mother, maid Nymph, then a virgin, nurse, and a servant Just an appendage, live to attend him So that he never lifts a finger Twenty-four-seven baby machine So he can live out his picket fence dreams It’s not an act of love if you make her You make me do too much labour [Chorus] The capillaries in my eyes are bursting (All day, every day: Therapist, mother, maid) If our love died, would that be the worst thing? (Nymph, then a virgin, nurse, and a servant) For somebody I thought was my saviour (Just an appendage, live to attend him) You sure make me do a whole lot of labour (So that he never lifts a finger) The callous skin on my hands is crackin’ (Twenty-four-seven baby machine) If our love ends, would that be a bad thing? (So he can live out his picket fence dreams) And the silence haunts our bed chamber (It’s not an act of love if you make her) You make me do too much labour
My 2 Cents –
this song was very cleverly marketed. it brings out a lot of feminine rage. There is not a woman alive who doesn’t understand at least one line of this song. I actually was awaiting the release date…and I have not done that in years. It is well written. The part that they released to tease with was perfect.